soracities:

Ambrose Bierce, from The Devil’s Dictionary

(via aphidempire)

11 . 28

thusreluctant:

Ireland, West Coast, County Kerry, 1988 by Harry Gruyaert

(via s-splinched)

11 . 18

I know the creed of light. We see. On condition of not-seeing. The light. Transparent, we dream the immediate.

—  Rosmarie Waldrop, V. At the Sea (via mothwood)

(via an-itinerant-poet)

11 . 17

the-captain-sensible:

Stanko Abadzic

(via antelucanhourglass)

11 . 17

(via desahogar)

11 . 16 

nobrashfestivity:

Josef Albers
Homage to the Square: Guarded, 1952
oil on masonite
24 × 24 in. (60.9 × 60.9 cm)

more 

(via flerencie)

11 . 16

egosumdaniel:

Jenny Holzer, MoMA.

11 . 16

fakelikemylashes:

why must the cute ones (me) suffer

(via bismuthblue)

11 . 16

rickjameskinkshame:

(via loveish0t)

10 . 28

lamignonette:

FJURA

(via tat-art)

10 . 27

deerbheth:

Karl Brjullov, The Last Day of Pompeii (detail), 1830-1833

(via femmefee)

10 . 26 

yesterdaysprint:

Daily Independent Journal, San Rafael, California, September 8, 1955

(via bismuthblue)

10 . 26

gdbot:

Photo http://ift.tt/2qyAtjy

(via dyingqueen)

9 . 6

so many different things to worry about !

9 . 6

There are psychic cliches just as there are physical cliches - ready-made perceptions, memories, phantasms. There is a very important experience here for the painter: a whole category of things that could be termed “cliches” already fills the canvas, before the beginning. It is dramatic.

Deleuze, The Logic of Sensation

9 . 3